Wedding films at Wasing Park.

We have shot a real wedding at Wasing Park. Jack and Emelia married on the estate, exchanging vows inside the church and celebrating afterwards in the Castle Barn, and we covered their full day. We photographed it. We did not film it. So we will not pretend to hand you a Wasing wedding film that does not exist. It is an honest gap, and we would rather name it than dress it up.

What that means for you is this. We already know the estate, how the 15th-century church and the Castle Barn sit close together, and how a day moves across the grounds, because we have worked it. What we cannot yet show you is our own film from Wasing itself. So instead, further down this page, we show you a pair of full wedding films from days elsewhere in the county, cut with the recorded sound of the day as it happened. That is the look and the sound your Wasing film would have, made by the same two people who would come and film it.

A photograph of a church that has stood more than five hundred years is a lovely thing to keep. It cannot give you back the sound. It will not have the sound of the vows under that old roof, the laughter in the Castle Barn during the best man’s speech, or the first bars of the music as you walked back down the aisle. A film has all of that. On an estate laid out the way Wasing is, the sound changes as the day moves, close and echoing in the stone church, warmer and fuller in the timber of the barn, and a film is the only thing that carries both.

We are Robinson Martin Green, an in-house team of two based in West Sussex, and we cover Wasing Park as one unit that films and photographs the same day. Hayden Martin-Green shoots and cuts the film, with Aaron Robinson on stills beside him. Wasing is a fair drive from us and we say that plainly rather than pretend it is round the corner. An estate that hands a film a 15th-century church and a Grade II listed Castle Barn seating roughly 30 to 160 guests on the same private grounds is worth every mile of it.

Because Hayden films while Aaron photographs, there is one team, one plan and one point of contact rather than two suppliers meeting for the first time at your ceremony. That matters more on film than it does on stills. A videographer who has never met your photographer ends up in half their shots and competing for the front of the church during the vows, and you are the one caught between two strangers. We agree who stands where before you walk in, so the camera can hold on you without a second shooter drifting into frame.

An estate the size of Wasing needs planning rather than working out on the day. Hayden films the ceremony on two cameras, one held on the couple and one wider on the church, so a missed reaction on one angle is caught on the other and the vows are never lost to a blocked shot. Then the film moves with you to the barn for the speeches and the first dance, where the sound of a full room matters as much as the picture. We already know the walk between the two from covering Jack and Emelia here, so we are not learning the ground on your morning. Nothing gets staged twice for the two cameras. You are filmed and photographed at the same time, then handed back to your guests.

The edit is where a film is actually made, and it is worth knowing what happens once the day is over. We work through the footage and the recorded sound, choose the moments, and cut your wedding film, usually within eight to ten weeks of a Wasing day. It lands in your private Wedding Hub, the same place your photographs are delivered, so the film and the gallery sit together rather than the film arriving on a memory stick that ends up in a drawer. On Silver and Gold a short teaser for Instagram or TikTok comes first. Because both your film and your photographs come from us, there is one delivery, one login, and one team to talk to if you want a change.